I sometimes wonder about the people who compose anime soundtracks. If you don’t have someone on production like Yoko Kanno, an anime composer will usually leave very little of themselves in the work. Especially lately, shows often have such an eclectic mix playing in the background that it’s hard to sense the rhyme or reason.
Take, for example, A Certain Scientific Railgun. Of course action and techno go hand in hand in this show, which is a holdover from A Certain Magical Index. But when something kind of wacky is going on, out of nowhere we’ll hear some ska. And during one of the calmer moments, when Mikoto was drinking curry soup with the scientist, I was surprised to hear background music that sounded ever so slightly like shibuya-kei.

Please don't say you are lazy.
Shibuya-kei is hard to describe. Fortunately, I don’t really have to, because anime songs have recently become rife with examples. Listen to the first ending theme of Pani Poni Dash!, for example, or the opening of Chibi Maruko-chan sung by Kahimi Karie. Of course, the most famous example by far is probably “Neko Mimi Mode” by Dmitri From Paris, the opening of Tsukuyomi Moon Phase. Most people seem to hate it, but mixing fluffy samba music with a seiyuu’s random little girl noises is certainly unforgettable.
Exhibit A: Girluppi
Exhibit B: Humming ga Kikoeru (no anime footage online, sorry)
Exhibit C: Neko Mimi Mode
As you can see, there’s a wide range.
Shibuya-kei is also interesting from a postmodern perspective. As far as anyone can tell, the blending of jazz, vintage French pop and electronica has no other purpose than to sound classy and cool, and it does so by cutting apart and reassembling previous classy and cool music. The resulting pastiche is like the musical equivalent of a collage made from photos of famous paintings: It’s art that relies on the emotional power of other art.
What does that mean in context of the modern mercenary anime soundtrack, which uses any style from anywhere as long as it sounds good and evokes a specific mood? … Well, I’m not prepared to make any grand conclusions. But shibuya-kei’s increasing appearance in anime is interesting, don’t you think? I almost want to say it’s appropriate.

This is completely unrelated, but I appreciate the fact that this lady wears a proper bralette and not some ugly stretch-fabric discount thing. Even awkward sciencey types want to feel sexy.
October 30, 2009 at 12:35 pm
This is the first time I’ve ever seen Neko Mimi Mode, and I suppose that fact makes me a terrible person.
Oh, and that SCIENCE! woman makes me want to start Railgun ahead of schedule, since I’m planning to marathon it.
Definitely trying out more of this genre, too! Thanks for the heads up.
October 30, 2009 at 2:41 pm
You’re not terrible, just of a rare breed, I think. I had assumed most fans were at least exposed to the song before… But I’m glad you like shibuya-kei enough to look more into it.
The science woman doesn’t appear until episode 4, and no word yet on how much of a role she’ll play. But for what it’s worth, she’s fascinating.
Thanks for reading.
October 30, 2009 at 2:50 pm
Oh boy, Shibuya-kei… How I hope this doesn’t really become that big of a trend. Just not my cup of tea I suppose.
And who can’t like the stripper woman, eh eh?
November 1, 2009 at 12:38 am
Well, that aspect of her is a little too anime-fied, I think.
“Okay, no, wait… A woman… who spends so much time in the lab… that she’ll just take off her clothes whenever she’s hot. Because she’s so logical.”
“Brilliant. Fund it.”
As for Shibuya-kei, it’s already a little bit on its way out. Or rather, it’s rejoined the great massive ocean of techno, having contributed its style for anyone to borrow in future generations.
October 30, 2009 at 4:38 pm
Hmm, I actually never heard of Shibuya-kei before 0_o Thanks for the enlightenment! I’ll have to brush up on the different types of j-pop/j-rock.
November 1, 2009 at 12:41 am
You’re very welcome.
Doesn’t really change the fact that most J-pop is rather forgettable, though.
October 30, 2009 at 4:48 pm
This is the first time I’ve heard of shibuya-kei, although I’ve listened to the genre before (mainly capsule’s less techno stuff). I admit the songs are fluffy and aren’t really intuitive, at least not for me.
The more the drift away from a conventional song, like the Neko Mimi Mode OP, the more I tend to dislike it. However I found the Kahumi Karie piece nice, probably because there was some lyrical structure and the sound was a bit more jazz influenced than the other two.
I can see the big-band and jazz influences in the genre, it gives the songs an old-school flavor to them. At the same time, I’m not sure I’d embrace the genre as a whole. I tend to pick and choose within shibuya-kei what to listen.
Thanks for the Karie exposure though, I’ll be sure to look up her other works.
November 1, 2009 at 12:46 am
Not really intuitive is a good way of putting it. Emotionally, there’s a response, but I think we can recognize that it’s a mish-mash.
An older draft of this entry featured what I consider to be the most definitive Shibuya-kei song, “Different Colors” by Fantastic Plastic Machine. I decided against gushing about it, but the video’s still very keen.
Cheers.
November 3, 2009 at 2:29 am
The video is more interesting than the song, which I found a bit too Shibuya-Kei for me. In fact, I made it about halfway before dropping it. I guess it doesn’t help that I’m not a big instrumental fan. However, I don’t get to see anime music videos that often, so the video alone was a treat.
October 30, 2009 at 5:38 pm
So that’s what the term is! I never really made the connection that linked tracks that you put up before, but it’s nice to know that a name can be applied to that type of music. Before, I’d always considered them to be the occasional silly opening that serves to capture the light-heartedness of the show’s content.
November 1, 2009 at 12:48 am
Well, that’s also what they are, too. It’s just all very modern and rooted in real-world musical trends.
Thanks for reading. Cheers.
October 30, 2009 at 8:23 pm
I’ve been a big fan of Pizzicato Five since the early/mid 90s when their video for Twiggy Twiggy got semi-regular airplay on 120 Minutes and other “alternatve” music shows on MTV. It wasn’t until the past couple of years that I found out that they were a part the whole Shibuya-kei scene. I liked them for their bossanova/samba style and never really thought of them as a “Japanese” group. Guess that’s because I got into them by a means other than anime/j-pop fandom.
That said, after hearing more Shibuya-kei stuff, I think Pizzicato Five’s an isolated case. Most of the singers’ voices have too high of a pitch for my tastes. Maki Nomiya from P5 has a voice far more in tune with what I prefer. Her voice is more in line with the groups they’re emulating, while more recent artists lean towards a singing style more in line with traditional j-pop. I still like the instrumental parts from much of the stuff, though.
Still, I’ll take this stuff over the traditional bubblegum-pop-like stuff and generic rock stuff and you hear in most anime series.
November 1, 2009 at 12:51 am
Maki Nomiya’s voice is indeed unique. When it comes to anime songs, you’re unfortunately not going to get away from high-pitched little girl voices.
Speaking of musical originality, I thought it was pretty amazing when Index used a heavy techno-based soundtrack. I recall people not liking it much, but it was certainly different.
October 31, 2009 at 4:37 am
Years ago Marxy wrote a great series of history of Shibuya-kei posts, starting from this entry: http://www.pliink.com/mt/marxy/archives/2004/11/the-legacy-of-s.html
I think a lot of SHAFT openings have a good amount of Shibuya-kei influence, or at the very least a lot of their openings are pretty obvious homages to old styles of American music, mixed with J-pop otaku sensibilities. I’m no music scholar, but I don’t think it’s much of a surprise that a lot of anime music may have some Shibuya-kei (or just straight up American influence) in them, considering the mark the movement left on the Japanese music scene.
I highly recommend the Japanese band CYMBALS. They’re post-Shibuya-kei (copies of copies) but I think they actually like American classic rock and put a neat spin on it while borrowing from other Shibuya-kei influences.
November 1, 2009 at 7:19 am
I was going to mention the SHAFT connection, but I had a feeling you would pick up on it anyway. I’m glad my instincts were right.
I’ll look into CYMBALS. Cheers.
October 31, 2009 at 5:09 am
Heh. I’ve listened to stuff from capsule and Hazel Nuts Chocolate, noting that they were related in some way, but it’s the first time I’ve heard of Shibuya-kei in general. I also listen to stuff Coba, and when I think about the pieces I know him and the other two acts for, the similarities of the music style start making sense. Thanks for providing this info, and thanks to wah for the Shibuya-kei posts. \o
November 1, 2009 at 7:21 am
I’m a bit surprised. I was afraid this post was going to be kind of preaching to the crowd, in terms of introducing Shibuya-kei as a genre. Makes me wish I had spent a bit more time getting into it.
You’re very welcome, though. Thanks for reading.
October 31, 2009 at 12:53 pm
I remember the name of the artist in the second video, being mentioned in DMC. The protagonist liked her music. From what I hear, I don’t like it that much. No offence it sounds kinda gay…
November 1, 2009 at 7:24 am
None taken. The parts that sound gay to you are probably more of a selling point to me, but so it goes. Thanks for reading.
October 31, 2009 at 8:25 pm
I think adding in Fantastic Plastic Machine and Chocolat as examples would help in better fleshing out the variety in shibuya-kei. But then again, the whole idea of musical categorization in its current state grinds my gears. Like, it took me a lot of self-persuading not to flat out dismiss your Exhibit A as akibapop with vague shibuyakei influences. And also, a lot of the artists associated to be shibuyakei artists have a lot of disco and other musical styles in their portfolio, which is probably why many of them still resist having their music labeled as shibuyakei.
November 1, 2009 at 7:25 am
I considered Fantastic Plastic Machine, but I wanted this post to be mostly about anime still.
Point of order: Girluppi isn’t Akiba-pop, because that genre uses video game sounds. It’s a fine distinction, but it’s one to bear in mind.
October 31, 2009 at 9:12 pm
After listening to the examples, I’m still not quite sure what Shibuya-kei is other than it’s just kind of random.
Anyway, I appreciate proper lingerie as well.
November 1, 2009 at 7:32 am
Electronica that is heavily informed by (and heavily samples) 60s French pop, jazz and other “cool” sounds. That’s enough of a definition to get you off the ground, but as I mentioned, there’s a wide range of artists. Also, WAH’s posts on this page are quite helpful.
I appreciate that you appreciate proper lingerie. Honestly, it’s important– the binary of “that one wears animal prints because she’s innocent, and that one wears black lace because she’s begging for it” is just a little tiresome.
November 1, 2009 at 1:27 am
SHIBUYA-KEI doesn’t actually hail from Shibuya. It’s only called that because the Tower Records there started pushing Flippers Guitar records over there as “Shibuya-kei” and it caught on.
Similarly, when Capsule came on the scene, they were marked as Neo-Shibuya-kei.
>>Yi
If you’re interested in Shibuya-kei, I highly suggest reading the article I linked and the five after it for a good picture of the movement.
November 1, 2009 at 8:21 am
Hah, yeah, it is becoming more appropriately more appropriate – as the industry generates more series that rely on the success of past series, its music relies more and more on the emotional power of other pieces. Kudos for noticing.
Kissu~ kissu~ kissu ~
Ahem. Well, I actually liked Vanilla Salt.
Pertaining soundtrack and music, have you watched Romeo X Juliet? I must say the soundtrack and OP/ED definitely aren’t generic instances, and actually set the mood quite well for its scenes.
Then there’s Eve no Jikan.
November 1, 2009 at 11:26 am
Watched it? … Well, no, not entirely. But I wrote about it.
http://2dteleidoscope.wordpress.com/2009/09/01/romeo-x-juliet-and-translating-sacred-cows/
Thanks for reading.
November 3, 2009 at 10:55 pm
I’d heard of Shibuya-kei, but had no idea what the term referred to. Thanks to this post I find that it’s some of my favorite anime music from the past few years.
In terms of genre, do the Polysics (not so much), Oranges and Lemons, or the Kuricorder Quartet fit?
November 4, 2009 at 2:29 am
The Polysics and Oranges and Lemons aren’t Shibuya-kei as such, but I think their methodology is about the same: evoke an older sound, see if it works. The “indie” music movement in general seems to be about this.
No idea with the Kuricorder Quartet. They’re just odd. But I like them.
April 17, 2010 at 1:14 am
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July 27, 2010 at 11:30 am
i love you
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