This prefecture isn’t big on movie theaters.  The nearest multiplex from where I live is two hours by train, and my home city has a tiny two-screen affair that seems perpetually several months out of date.  Who knew that there, of all places, I would stumble onto a special showing of Rebuild of Evangelion 2.0: You Can (Not) Advance?

What to say?  Well, you know, I try to maintain a certain voice on this blog, but this time I can’t help breaking character to gush.

Holy crap, it was SO COOL.

Remember when we thought this was Mana from Girlfriend of Steel?

The best part, and probably the most defining, was Makinami Mari Illustrious. I liked her character design, and I heard some descriptions of this new character (hot-blooded, gets a thrill out of piloting Evas), but that was it.  I didn’t really know what to expect.  But then the moment she said “Uuah, kitaa!” in the opening scene, everything clicked.  My god, she’s actually having fun.  She is fun.  What a fabulous girl.

I think that’s a bit of an influence on this Rebuild series.  Because if I had to peg how this movie feels different, I would say that it’s very clearly about passions.  Shinji without love (as we see for most of the first film) is frozen.  But when he realizes his desire to protect someone, damn, the boy can fight. Everybody just feels more alive in general, especially Rei, who has developed a more inquisitive, even playful personality.  Whether or not this is due to the advent of Mari in the redesign process, I can’t judge, but I don’t think she was envisioned as a member of the cast without making waves.

Asuka’s character suffers a bit: Most of the physical fanservice is centered on Asuka, her feelings for Shinji take precedence over her self-worth issues (which are still there, just played down in favor of the relationship), and she just doesn’t get a lot of time to be somebody distinct from “the rival love interest.”  As a case in point, I can’t help but feel like this is partly due to being introduced at the same time as Mari, thereby time-sharing our attention.   But it’s not a bad start, and there’s hope in the next film for her to play a bigger role.

She was still quite cool, mind.  Her introduction, with the help of modern CG and a theatrical budget, was breathtaking.

I have some more involved thoughts related to Rebuild of Evangelion, which I might do in a few days.  But to conclude, Eva 2.0 was worth every yen, and it will be worth it again when I buy the exorbitantly priced  Japanese DVD once it comes out.   Even when I didn’t understand the dialogue, which was true for pretty much all of it, I was riveted.

That said, I admit thinking about how I was going to blog this RIGHT when I got home, coherence and planning be damned.