I wasn’t expecting to enjoy B Gata H Kei, but it’s actually quite good.  It manages to be a sex comedy that doesn’t fall into the usual anime sex comedy pitfalls.  The show’s consistently funny, even sweet.  I think most of us can relate to wanting to seem more mature than we really were (or are).  But that stuff aside, I’m especially drawn to one element in particular.

Wow…

Is that surf rock I hear in the opening?  How interesting!

To explain why that matters, we have to hop into a time machine and take another detour through Japanese history.  But we’re not going terribly far back—just to the period starting around Showa 35, all the way to about Showa 50.  In other words, we’re looking at the time between 1960 and 1975, the teenage heyday of today’s middle-aged Japanese.

The US occupation of Japan had ended only ten years before this time, and although there was some international tension, Japanese young people were happily consuming western pop culture at unprecedented rates.  Japan was struck by Beatlemania at the same time as everybody else, and they liked Elvis Presley just as much as we did.  They also developed a particular fondness for American surf rock in the mid-1960s.

Inevitably, there were imitators.  The Beatles gave birth to Japanese “Group Sound” bands like the Tigers and the Tempters, and Elvis resulted in a lively rockabilly culture that is still going strong in Japan to this day (look at the gang leader Hebitani from A Certain Scientific Railgun, for example).  And surf rock, oddly enough, became a popular style used by young female pop singers—in other words, what we might consider the first wave of modern idols.

See the video above.  This was the stuff kids listened to in those days.  Looking back on it now, I think it’s pretty neat, but the older generation at the time probably considered it a barely-musical load of tripe.  Still, those kids grew up to take the reins of Japan, including the nascent industries of otaku culture, anime and tokusatsu.  So is it any surprise that ‘70s shows like Kikaida were heavy on the surf rock themes as well?

Obviously, when surf rock is used in shows as background music or in opening themes (see, for example, Seto no Hanayome), it’s supposed to evoke thoughts of summer sun and beach ball fun, much like it does for westerners.  I’ve mentioned before that anime soundtracks can be rather mercenary when it comes to mixing and matching styles.  But there’s also a surprisingly heavy nostalgia associated with the surf rock sound in Japan, and a deeper history than you might expect at first.

Seriously, this kid...

Postscript: Not everyone’s watching this show, so it occurs to me that I ought to post a video of the opening itself.  Here it is, for your viewing pleasure.