This entry is part of the Diary of an Anime Lived series.

“He married, furnished a house, bought a writing-table, got everything in order, but found he had nothing to write.”
- The Note-Book of Anton Chekov

By this time next year, I won’t be living in Japan anymore.  I might return to America, or maybe somewhere else if it strikes my fancy.  But either way, come next summer, I’m moving on.  C’est finis.

It already feels a bit sad, because I’ve grown rather attached to my life here.  But that’s why I know I can’t stay, really.

Spice and Wolf has been on my mind lately.  If you haven’t seen it, it’s about a medieval merchant who travels with a harvest goddess, the Wise Wolf Holo, who wants to return home after having spent several centuries watching over a small village.  It’s great fun, especially if you’re interested in pre-modern economics.  But what really sticks with me is the romance between Lawrence and Holo, and how it develops in the second season.

(Warning: Spoilers ahead.  Skip past the next picture to avoid them.)

Holo suffers nightmares wherein she’s forced to make a choice: Lawrence is on one side and her wolf kin on the other.  But when she runs to Lawrence, she finds only a skeleton in the snow.  It reads like a pretty straightforward “immortal faced with mortal love” dilemma.  Luckily, the storytelling in Spice and Wolf is more complex than just that.  Like dreams in real life, there’s more to it beneath the surface.

You see, as she tells it, Holo’s fear isn’t that she will live on while Lawrence will one day grow old and die.  She’s ancient, after all, and she’s used to seeing brief lives come and go.  What actually haunts Holo is the day when everything will cease to be fun, when being with Lawrence will just be a chore.  Death is one thing, but she doesn’t want to face the day when love ends.

Eventually, Lawrence makes a critical decision: Having danced around the issue since the day they first met, he finally confesses to Holo that he’s in love with her, and that he’s more willing to take his chances than he is to let her go.  Even if her fears prove true and they eventually part ways, that’s better to him than giving up hope in the here and now.

And as dawn breaks, they leave town hand in hand, continuing their uncertain journey.  It’s a beautiful conclusion; I could watch it again and again.

Funny how times change.  Last autumn, when I was lonely, homesick and sick of this job, watching that moment convinced me that I needed to give my life in Japan a chance, to see what time might bring.  And actually, that decision worked out rather well!  Tottori feels like home now, and I’m more comfortable in Japan than I’ve ever been.  But that’s just the thing—I’m so comfortable in Japan, and I’m tempted to stay exactly as I am now, not changing or challenging myself.

I hate moratorium.  NEETs, career slackers, the so-called “boomerang” culture of eternal do-overs…  It makes me sick.  Don’t these people realize how precious our time is?  Our youth and dreams?  But I’m just another textbook case, and that’s the worst part: Look at this lost and confused expatriate, floating in a quarter-life crisis limbo, wondering when exactly he lost sight of who he was.  How utterly typical.

What I really fear, like Holo, is that one day I’ll wake up and realize that all the fun times have gone.  Unlike Holo, I imagine myself as an old fart, a square doing dead-end work, who ended up there because at some point he felt “comfortable.”  The thought is unbearable.

If I wanted to, I could stay in Japan for a long time.  The program I’m on offers five years by itself, and work in the private sector is theoretically endless.  I could have it pretty good in Nihon…  But I can’t settle for “pretty good.”  I just can’t.  Even if it means going out into the unknown, I have to keep moving and never stop, because I feel like the moment I do is when I become the walking dead and it’s over.

In other words, Lawrence right now is telling me to start getting ready to pick up sticks.

Now, what do I really want to do?  Don’t laugh, but I want to be an artist.  A writer.  For that, I could go back to university to do a MFA, or I could move to a third world country, rent a studio for a pittance and disappear until I have a novel or two ready.  There are options.  But the point is, as much as I enjoy being an eigo sensei, it’s with the understanding that the clock is ticking, and that soon it will all change again.

I don’t actually know what I’m doing.  But I’m going to fake it ’till I make it, because that’s the only choice we have.

Everything is as it should be.  The journey continues.